I admit I was nervous. By May, I felt that 2009 was letting me down. There just wasn't much in the way of music that moved me. But the summer and fall rectified that, and 2009 ended up churning out some pretty great tunes, some of which I am here to share with you. Once again, I found myself forced to shave seconds off of many song intros and outros just to fit it all onto one disc. And once again, I have succeeded. Rock on. However, my one disclaimer here is that I didn't have much time to devote to these notes. But it's all about the music anyway. And I look forward to hearing your mixes/reading your lists soon. Also, I plan on making a post reflecting on the entire decade in the coming weeks, so stay tuned for that.
Happy holidays, and may the funk be with you in 2010. Ladies and gentlemen, I give you:
Twisted and Deranged: 2009 in Song
1. The Raveonettes – “Gone Forever” In and Out of Control (Vice Records)
The Raveonettes returned with the follow-up to 2007’s Lust Lust Lust (featured on that year’s annual mix). Like it’s predecessor, In and Out of Control doesn’t cover a whole lot of new ground, but that doesn’t make it a bad album. Admittedly, some songs are perhaps poppier than most of the band’s material (the singles “Bang” and “Last Dance,” for example), but they are still quite good, incredibly catchy, and downright enjoyable tunes. I do like the bits where they let noise take over (as in Lust’s “Aly, Walk With Me”), and the first portion of “Gone Forever” captures that well. I also feel like the Raveonettes are at their best when they’re in a minor key, with excessive reverb on the guitars and vocals, adding up to an overall ominous song quality. “Gone Forever” is a winner there.
Official Website
On MySpace
2. Arctic Monkeys – “Crying Lightning” Humbug (Domino)
Either the Arctic Monkeys haven’t done anything to impress me up to this point, or I just haven’t been paying attention. I heard this song in heavy rotation on KRUI. I liked it the first time I heard it, but it really sucked me in by the third or fourth listen. I love the structure of the song, the complementary way the chorus plays off of the verse, and the buildup of Alex Turner’s vocals. For some reason, my fantasy mind can hear David Bowie doing this with Iggy Pop during the Berlin period. Humbug is a solid listen throughout, and I know must retrace my steps and check out their previous albums.
Official Website
On MySpace
3. The Dead Weather – “I Cut Like a Buffalo” Horehound (Third Man)
Another year, another Jack White project. Seriously, every year that I make one of these mixes, there’s some sort of Jack White production that warrants representation. With The Dead Weather, we have the rhythm section of White’s *other* side project, The Raconteurs (who in turn came from The Greenhornes), The Kills’ Alison Mosshart and White (on drums!!!!). Frankly, it’s a perfect match up. I aimed to include “Treat Me Like Your Mother,” but opted for “I Cut Like a Buffalo” due to time constraints. No matter. This a wonderfully weird track (how in fact, does one cut like a buffalo?), accompanied by a video showcasing Jack White’s patented brand of creepy:
Official Website
On MySpace
4. Bat For Lashes – “Daniel” Two Suns (Astralwerks)
I was a pretty big fan of Bat for Lashes’ 2007 debut, Fur and Gold, but Two Suns offers a more consistent and richly textured album. Although this saw release early in the year, “Daniel” became one of my most played tracks of fall 2009. And to be honest, it may be the track on this mix that I’ve listened to more than any other. The rhythm, emotional vibe and Natasha Khan’s hauntingly beautiful vocals give this one a lot of replay value in my book (er, on my digital music device).
Official Website
On MySpace
5. The XX – “Shelter” The XX (XL Recordings)
The XX's self-titled debut not only gets my seal of approval, but also stands as my top pick for 2009. They have a mellow, almost atmospheric vibe (Wikipedia describes them as “dream pop,” whatever that means), and I openly admit that I have a soft spot for male/female vocal interplay. The album is mellow, sparse and moody in equal measure. I highly recommend checking it out.
Official Website
On MySpace
6. Yeah Yeah Yeahs – “Skeletons” It’s Blitz! (Interscope)
I’ve never been a huge fan of the Yeah Yeah Yeahs, but I’ve always liked them pretty well. Listening to 2009’s It’s Blitz, this song immediately struck a chord . It’s a ridiculously beautiful, fragile track that has what I would call a cinematic quality to it. I can just see this being used to great effect on some especially emotionally draining episode of Six Feet Under or something like that. It also has this slow, progressive build that adds to its ultimate intensity. I don’t know, I’m just a big softy.
Official Website
On MySpace
7. Antony & the Johnsons – “Kiss My Name” The Crying Light (Secretly Canadian)
I’ve heard a few Antony tracks over the years, but never paid them much mind. Earlier this year, I was hipped to 2008’s Hercules and Love Affair project, which I liked quite a bit. Shortly after, I caught Antony and the Johnsons performing “Aeon” on David Letterman:
Watching this performance, it finally clicked – I felt like I got it. In checking out The Crying Light LP, I immediately became a fan. I admit that part of it is a fascination with Antony’s performance of gender (if pop music scholars aren’t writing on this already, they will be very soon). But more than that, it’s the emotion and the richness of many songs’ arrangements that make The Crying Light one of my favorite albums of 2009.
Official Website
On MySpace
8. Thao with the Get Down Stay Down – “When We Swam” Know Better Learn Faster (Kill Rock Stars)
Double-entendre I’m sure, but I can’t quite make out the metaphor completely. Thao with the Get Down Stay Down hail from San Francisco, and have put out four records since 2005. Thao has also done some solo work and collaborations with other artists. Go figure, I never heard of them until this fall. I know that this comes as a shock given my perennial hipness, but even old Gonzo misses a beat now and again. I don’t really have much else to say here, but it’s a good album.
Official Website
On MySpace
9. YACHT – “Psychic City” See the Mystery Lights (DFA Records)
Another ditty that’s been in heavy rotation on KRUI. What’s odd is that this song reminds me of Iowa City, but clearly I didn’t live there while the song was out, and I wasn’t aware of it during my visit. That association is either a byproduct of hearing it on KRUI, or a suggestion that KRUI has a “sound.” Or both. But I digress. I took to the song pretty immediately, and made hearing the album a priority once I learned who the artist was. The See Mystery Lights album tends stick with this indie rock dance vibe, which I can totally get down with. And in Claire Evans’ vocals, I hear echoes of The Waitresses’ Patty Donahue. I like.
Official Website
On MySpace
10. Phoenix – “1901” Wolfgang Amadeus Phoenix (Glass Note)
Count me among the many who had never heard Phoenix until 2009. And if we’re going strictly on the number spins each album received, Wolfgang Amadeus Phoenix would probably win my pick for album of the year. But I already gave my top spot to The XX. However, I can say without doubt that “1901” was *the* song of 2009. The single started making the rounds months ahead of the album’s release, with a flood of remixes to follow (at the band’s urging). I definitely got sucked into the (well-deserved) hype, and sought it out pretty immediately upon release (shout out to Paul’s CDs). It’s a great, straightforward rock record that veers towards pop, but manages to do so without losing integrity. I admit I was a little upset that it took practically no time for this to happen:
…but on the other hand, I kind of expected it. Nonetheless, still a great album, and a great tune.
Official Website
On MySpace
11. The Bird and the Bee – “Love Letter to Japan” Rayguns Are Not Just the Future (Blue Note)
The Bird and the Bee were a late entry on the first of my annual mixes back in 2006. In the interim, they’ve put out a few EPs with somewhat mixed results. Their second full length, Ray Guns Are Not Just the Future is an equally mixed bag. It’s not that they’re putting out bad material, just that the ”Bird and the Bee sound” as a whole doesn’t seem to be progressing very much. They’re still delightful, I’d just like to see some evolution. And that is likely why this little gem captivates me. Lyrics aside, my take home message from this song is "don't give up on The Bird and the Bee just yet."
Official Website
On MySpace
12. Annie – “My Love Is Better” Don’t Stop (Smalltown Supersound)
We have now officially entered the dance portion of the 2009 mix . At long last, we have the follow up to the Scandanavian pop princess’s debut Anniemalism. After multiple delays and leaks, the wait for Don’t Stop was worth it (although absent is last year’s single “I Know Your Girlfriend Hates Me”). This is electro dance pop at its finest. The ballads don’t work nearly as well as the dance numbers, but the strengths of the latter outweigh the weaknesses of the former. It would be perhaps too easy to label Annie the 21st century Norwegian Kylie Minogue. But I just did anyway.
Official Website
On MySpace
13. Royksopp – “Happy Up Here” Junior (Astralwerks)
I know it’s beyond cliché to sample P-Funk at this point, but they do it so well – and with one of my favorite tracks, “Do That Stuff.” (Truth be told, I don’t think it’s a sample proper.) Another of my favorites from this disc (“Vision One”) incorporates Stevie Wonder’s “Too High” to great effect. The whole Junior album is in this electro-funk-pop vein, and it’s a winner. Also, I’m told Royksopp is slated to release a companion album in 2010, appropriately titled Senior, so keep an (or an ear) out for that.
Official Website
On MySpace
14. Kid Cudi – “Make Her Say” (Feat. Kanye West and Common) Man on the Moon: The End of the Day (Motown)
I had to work Lady GaGa in here somewhere. While “Poker Face” probably gets my vote for best Top 40 jam of the year, this reimagining by Kid Kudi, Kanye and Common takes the song to the next level. I’ve never been much a fan of Kanye West. Frankly, I think his own work is overrated, but every once in a while he does something that I love (though usually it’s a production credit). I’d also like to go on record as saying that Common is probably the only rapper that can utter a line like “get up on this conscious dick.” Kid Cudi’s debut album isn’t an amazing piece of work, but this and the inclusion of last year’s single “Day N Nite” make the album worthwhile, and make me think he’s someone to keep an eye on.
Official Website
On MySpace
15. Major Lazer feat. Mr. Lex and Santigold –“ I'll Make Ya” Guns Don’t Kill People…Lazers Do (Downtown)
I’m pretty into the respective production styles of Diplo and Switch. So when I caught wind that they were producing a reggae/dancehall record, I was amped. This was definitely my jammin'-out-in-the-car disc for summer 2009. It could stand some editing, but there are some real bangers on the album, this one included. I believe this premiered on their MySpace page, but when I saw Santogold/Santigold earlier this summer, she played a bit of it live, only further raising my anticipation. Speaking of bangers and Santigold…
Official Website
On MySpace
16. N.A.S.A. – “Whatchadoin?” Feat. Spank Rock, MIA, Santogold, Nick Zinner The Spirit of Apollo (Anti)
Holy hell. I have to give credit to Markadelphia over at IckMusic for hipping me to this one. Mark wrote a glowing review of the record, and in particular the Karen O., Fatlip and ODB track “Strange Enough.” That track is great, but “Whatchadoin?” and its all-star lineup are what sealed the deal for me on the N.A.S.A. record. On this track, we have Baltimore’s own Spank Rock, MIA, Santogold and Nick Zinner. I admit I know nothing about Nick Zinner. But just the thought of this collaboration had my mind reeling. And the track itself does not disappoint. The rest of the album is a similarly star-studded affair. N.A.S.A. man the DJing and production duties, while vocals are taken up by the likes of David Byrne, Chuck D., Method Man, Chali 2na, RZA, Kool Keith, Tom Waits, Lykke Li, Del, Ghostface and more. It’s the all star jam of the year. Not infallible, but pretty damn good throughout.
On MySpace
17. Amanda Blank – “Might Like You Better” I Love You (Downtown)
Speaking of Spank Rock, his frequent sidekick Amanda Blank dropped her solo debut this year as well. Actually, she opened for Santogold, and that little taste of the album got me pretty excited. I didn’t even realize that the core of this song is lifted from a Romeo Void track (thanks, Mike C. for bringing this to light). Blank is definitely running with the crass and explicit lyrics she contributed to the Spank Rock tracks, and that is a-ok with me. She also does an on-point cover of “Make Up” by Vanity 6. Way to win me over.
Official Website
On MySpace
18. Kid Sister – “Life on TV” Ultraviolet (Downtown)
Another oft-delayed and much anticipated release, we finally got the debut from Chicago’s Kid Sister this year. Kid Sister is one of those artists who successfully generated an internet buzz via MySpace and the blogosphere, particularly with her Kanye west collaboration “Pro Nails” (which even made it onto Comcast’s On Demand service). Kid Sister bills herself as a rapper, though I think that’s not an entirely accurate characterization of her music. I’d say she’s more pop with hip hop leanings. There were a number of tracks slated for inclusion on my little mix, but I ultimately chose this one because a) “Pro Nails” is a little old at this point b) this one just flowed best in the mix and c) I’m a media scholar, and it’s about TV. I won’t lie, one of my first thoughts upon hearing it was “This would be a good prelude to the TV lecture in my 101 course.” And so it shall be, next semester.
On MySpace
19. Felix Da Housecat – “We All Wanna Be Prince” He Was King (Nettwerk Records)
It goes without saying that this floored me when I first encountered it. It’s a blatant homage that unabashedly lifts nearly every move from the Prince playbook, including constant lyrical references to Prince jams. And it works so damn well. I mean, listen to that little moan in the song’s intro! Felix really constructed a tribute that succesfully capture the sound of the 1999 era. Besides such perfect execution of Prince’s style, what I love about this song is that truer words were never spoken – we do all wanna be Prince! At least I do.
Official Website
On MySpace
20. Alan Wilkis – “N.I.C.E.” Pink and Purple (Wilcassettes)
Last year, Alan Wilkis released his debut album, Babies Dream Big. You may recall that the album’s track “It’s Been Great” made last year’s list. This summer, Alan dropped an EP that was even better than Babies, and was for all intents and purposes, right up my alley. With Pink and Purple, Wilkis embraces his funkiness whole-heartedly, incorporating influences from the late 1970s and 1980s such as Prince, MJ, the Gap Band and Rick James (among others). The result is a head-bobbin’, body-movin’ set can, would and should have you dancing. Alan was kind enough to chat with me earlier in the summer – check out our discussion for some insight into Pink and Purple. Alan has also been hard at work on a slew of great remixes – keep your eyes peeled on this blog to catch a listen.
Official Website
On MySpace
21. Prince – “Dance 4 Me” Lotusflow3r (NPG)
Hallelujah! Well, you know that I went out to get Prince’s Lotusflow3r set the day it was released, following which I posted a lengthy review. To recap briefly, disc one is his latest protégé (Bria Valente). It is also filler. The other two discs however, have Prince in solid form with the guitar-baesd Loutusflow3r disc and the synth dance vibe of MPLSound. I generally try to avoid making this next claim, but I do think that it could be a dynamite single disc collection. Alas. But the whole set was something like $10, so I shouldn’t complain too much. Predictably, I’m most drawn to MPLSound. And that disc will forever remind me my dissertation defense/visit to Iowa City, because it was one of two CDs that I had access to during my stay (the other was MGMT, which will now produce similar associations). I knew from the getgo that “Dance 4 Me” was going to be what made the cut for the year-end mix, though I would like to have included “Ol’ Skool Company” (admittedly for its radio and drumming references). But “Dance 4 Me” is a standout jam, breaking out the Camille voice, turning on that “I’m Prince, you want me” charm, embracing the synths and the Linn LM-1 drum machine, and generally just making me want to get down. Prince, I salute you for recuperating yourself after that Planet Earth disaster in 2007.
Official Website
2009 Honorable Mentions:
Aceyalone-The Lonely Ones (Deconstruction)
Camera Obscura-My Maudlin Career (4AD)
El Michaels Affair-Enter the 37th Chamber (Fatbeats)
M. Ward-Hold Time (Merge)
Maxwell-Blacksummer’s Night (Columbia)
Rainbow Arabia-Kabukimono (Manimal)
Sonic Youth-The Eternal (Matador)
The Very Best-Warm Heart of Africa (Green Owl Records)
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